Abstract

Inspection of surviving mirrors and related objects shows that they were too crude to offer the early Renaissance painter an optical short-cut to a naturalistic image of his subject. The craftsmanship of mirror makers was independent of and inferior to the quality of theories of image formation of the day.

© 2004 Optical Society of America

PDF Article

References

You do not have subscription access to this journal. Citation lists with outbound citation links are available to subscribers only. You may subscribe either as an OSA member, or as an authorized user of your institution.

Contact your librarian or system administrator
or
Login to access OSA Member Subscription